I thought I should bring this page up-to-date.  It's been a while since the biography below was written (and by the way, contrary to what some have guessed, no . . . I didn't write my own biography . . . it was written by a writer at Music Row Magazine.)  Hey  . . . I'm a songwriter and a performer, so I'm pretty much an open book . . . and if you're interested enough to be reading this, I'm open enough to share whatever you'd like to know . . .

But always, first and foremost, I'm a Singer/Songwriter . . . have been virtually all my life.  It's who and what I am . . . heart and soul.  And that's why I have this site . . . to share my music with you.

I hope that you'll listen to some of the music here, look around the site, buy a CD (when they're available) and come to a show (whenever I get around to performing again).

Thanks for checking out my website.

P.S.  I also have joined MySpace.com now . . . so you can also read and see more there . . . come on and be my 'friend' . . . !
Just click on this link: MySpace.com/JeffStewartNashville

To quote one of Jeff Stewart’s heroes, Merle Haggard,
"(I Wear) My Own Kind Of Hat". And in a sea of cowboy hats, the California-born Stewart wears his proudly and in his own style. Some predict that California is fated to one day fall into the Pacific Ocean, so having grown up in Ventura, just north of Los Angeles, Stewart knows what living on the edge is all about. He brings that kind of "edginess" to his unique blend of country, pop and rock.
"I can remember listening to the radio when I was a kid and being able to hear
everything on Top 40," says Stewart. "That’s when you could hear Waylon & Willie, then a Beatles song, followed by something by the Jackson 5. So I grew up loving all kinds of music, and I think that’s what has been the biggest influence on my own music today."

But even before he began his singing career in clubs such as the famed Palamino, near his home, Jeff was already writing songs. "I started writing when I was about six years old. Then I’d make my own guitar from one of my grandfather’s cigar boxes and some rubber bands, and start singing my new songs," says the   singer/songwriter.

Before long Jeff got a real guitar, and though he was in high school band class he set himself apart even then, as the band director allowed him to work separately on his songs. He continued to listen to such country artists as Alabama and George Strait, absorbing them into his own developing singing style.

One night at a local honky-tonk when then-future Curb recording artists Boy Howdy were playing, a few of Jeff’s friends egged him on to sing with the popular regional band. "We did ‘Don’t Rock the Jukebox’." It went over real well, and even the guys in Boy Howdy seemed impressed. "It was fun!", said Stewart. That only whetted his appetite more . . .

A few short months later Stewart was singing in L.A. area clubs like the Palamino and the Corral, following the path of such other West Coast-based country artists as Dwight Yoakam. An independent tape he’d recorded garnered local airplay, and he also became an integral part of the songwriter scene known as The Western Beat. It was about that time when Stewart heard the call to Nashville.

"It seemed that everytime I’d send a tape of my songs to the L.A.-based record companies they’d send me back a nice letter complimenting me on my songs but saying in effect that I needed to send it to their Nashville division. I wanted to be right in the midst of the country recording scene, so it seemed inevitable that I move here," says Jeff, who now calls Music City home.

Once in Nashville, Stewart hit the songwriter scene hard. By day, when he wasn’t working the odd job, Jeff trod the pavement along Music Row, pitching his songs to any publisher who would listen. He landed a few with various independents, but actually held back in order to present "the whole package" to record companies "when the time is right". Then, night after night he’d hang out in the smoky bars and restaurants that offered Writer’s Nights and Open Mikes. There he made friends with fellow writers and other country singers vying for that brass ring. Again, Jeff’s seasoned baritone voice and songs like "When the Twister Touched Down’ and "Barkin’ with the Big Dogs" stood out enough to land him demo singing jobs.

Not only did his peers begin to take notice that here was someone unique to country music, but also taking notice were such industry movers and shakers as ASCAP’s Chris DuBois, son of Arista’s Tim DuBois.

"Jeff is bound to make an impact on the Nashville music community . . . "

Mike Roggers, who has hosted many songwriters nights over the years and who is Creative Director for "ALV Music", has seen and heard literally thousands of singer-songwriters. He has this to say about Jeff Stewart:

"He’s a hot performer and hot songwriter. If you get a chance, come see this kid."

And that’s also what club owners are saying who have booked Jeff and his backing band, The Big Dogs. So far, they have played the Tennessee State Fair and showcased at several important Nashville night clubs, including 16th Avenue Cafe, Douglas Corner, and Windows On the Cumberland.

"I enjoy performing. I move around and dance onstage, and really have a ball. And that’s what I want the audience to feel when they hear my music."

Music Row Magazine critic Ron Young says:

"Jeff Stewart injects a heavy dose of excitement, one of the elements long missing in the all-too-often staid singer-songwriter scene. But if you really want to get properly exposed to his music, go see Jeff and his ace band the Big Dogs. They’ll leave you howling at the moon."

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